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Encounters at the End of the World
Written by Sriram Sharma   
Monday, 17 December 2007

I saw the rather disappointing Rescue Dawn a few weeks ago - I watched it only because it was directed by Herzog, but it was a betrayal of his temperament and style.


Man vs Nature is the prevailing theme in Grizzly Man, Aguirre, and Fitzcarraldo, but Rescue Dawn despite treading the same lines was so uncharacteristic of Herzog that you have to chalk it up as a commercial cop-out, like when Roberto Rodriguez made Spy Kids. With Encounters at the End of the World, he is back in form, back to the top of the list of my favorite people. Rarely do movies make me feel warm and fuzzy all over long after the movie's been watched.

 

 

The core of Herzog's philosophies haven't changed - Nature is still the enemy, man is still doomed, but at the southern most tip of the planet, you meet folks with the most redeeming of qualities - the hunger to be free and explore.


In his travels to Antarctica, Werner Herzog forewarns his sponsors - The National Science Foundation - that this won't be a movie about cute fluffy penguins - rather, his interests lay the other bipeds now settled in the continent - humans. The big question being, why is it that some humans have an irrational urge to travel and explore? What kinks drive them to subject themselves in high risk and pain, at the harshest climates, to the top of the world, or the south pole?

 

 

He meets the craziest freaks in and around McMurdo, a volcanic island at the edge of Antarctica. He interviews free spirits and compulsive adventurers, some of whom also happen to be Ph.D.'s, scientists, and researchers. You meet a climatologist who studies the gradual decay of icebergs, huge swathes of frozen water (so huge as to equal 52 years of water from the River Jordan) breaking loose and heading north. You meet a reclusive wildlife expert who has been studying penguins for twenty years. And you get to hear an incredible psychedelic orchestra of seals.

 

 


Herzog's interviews with the philosopher cum forklift driver, the underwater diver who discovers three new species in one trip, the mutant fingered native-Indian mechanic of royal blood, and the banker turned truck driver are highly inspirational. Each character has a unique story to tell, an interesting perspective to share.


I saw this movie at the Dubai Film Festival, so it might be a while before it is out on DVD, but if you get to watch this movie on the big screen, please do. Herzog's dry, accented narrative is hilarious, bordering on the absurd, and on many occasions the camera stays pinned on a character, long after he has nothing to say, silences rendered stark in the pin-drop silence of Antarctica.


Oh, and by the way, Herzog also destroys all illusions of monogamous love purported in March of the Penguins by asking a bunch of questions to the real penguin expert. Guess what, there are whores among penguins, some of them are gay, some of them are just crazy.

 

 

 

 

 
Discuss (4 posts)
Encounters at the End of the World
Dec 17 2007 21:00:36
This thread discusses the Content article: Encounters at the End of the World

Sounds damn cool. I'm not sure if Herzog holds a "nature is the enemy" POV. I thought of it more like "nature is the towering immovable force that puny mankind thinks it has tamed just by making a few farms and cities".
#2615
Re:Encounters at the End of the World
Dec 17 2007 23:05:03
Indeed. Sounds quite awesome.

Ha and that last paragraph made me laugh hysterically.
#2617
Re:Encounters at the End of the World
Dec 18 2007 01:50:01
I agree, he respects nature for its awesome power, yet, in most of his movies, the protagonist's relationship with nature is adversarial. When he films a large uninhabited beautiful landscape teeming with life, I wonder if he's horrified by it.

There's a Herzog quote from a very stressful period in his life. I think it reveals where his personal convictions lie:

"The trees here are in misery, the birds are in misery. I don't think they sing, they just screech in pain. Taking a close look at what's around us there is some sort of harmony; it is the harmony of overwhelming and collective murder."

Judging from his commentary in Grizzly Man, it's clear that he suffers no tree hugging hippie affectations - he does not romanticize nature. He sees a beast as a dumb beast:

"And what haunts me, is that in all the faces of all the bears that Treadwell ever filmed, I discover no kinship, no understanding, no mercy. I see only the overwhelming indifference of nature. To me, there is no such thing as a secret world of the bears. And this blank stare speaks only of a half-bored interest in food. But for Timothy Treadwell, this bear was a friend, a savior. "
#2619
Re:Encounters at the End of the World
Dec 18 2007 09:10:10
Yea, but it's not like he stands behind the protagonist, more like he's revealing the craziness of the person for thinking that he can tame nature...like the comment that an iterviewee in Grizzy Man makes about Timothy Treadwell being an idiot thinking that "bears are lovable people dressed in bear costumes. He got what he deserved".
#2621

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