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Graveyard - s/t
Written by Srikanth Panaman   
Sunday, 31 August 2008



You name a style of music and Sweden's invariably kicking ass in it. And not only are there so many cool innovators, but they also boast of being very big on reviving all the things that made old school rock so priceless. There are even labels like Transubstans dedicated in putting out bands that are influenced by the most obscure of the late 60s and early 70s rock bands.

Graveyard's debut album has been a revelation of sorts. For one, I thought Witchcraft have been doing an exceptional job at this whole early 70s thing and channelling Pentagram with great success (for our standards). Their scene brothers here have just started out and from the looks of it, they're even better. While it took Witchcraft a couple of albums to come out of the Bobby Leibling worship and put their own twist to the sound and with a more updated production, Graveyard have acheived something extraordinary at their first go. Although Pentagram is still an influence, they have a lot more than that going on. If names like Leaf Hound and Buffalo are something you're familiar with, you'll probably hear the parallels that can be drawn to Graveyard's sound immediately.

You have to get this. This comes from before songs were driven by rhythmic-riffs as pioneered by Iommi and Co. This is all about the melodies that the vocalists and the progressions that the guitarists come up with. With some brooding minor scales based progressions and with the twangy old school pentatonic/blues based lead lines, this guitar playing duo's ideas are always attention grabbing. With a drummer that completely goes bonkers as and when needed and keeps low otherwise in the true style of that era and the bassist sneaking in a few cool licks, these guys have churned out something that completely satisfies this sucker for this era of rock, every time I spin this motherfucker. But most of all, you have some very soulful and dark vocals that shine throughout the album and drive the songs, as showcased fittingly on a song like Blue Soul or As the Years Pass By.

That doesn't mean the rest of this is any inferior. This is in fact the most evolved and studied traditionalist rock can get, not just because they've dug deeper than most others for inpiration, but mainly because they've managed to capture the essense of it all by coming up with 39 minutes of completely captivating piece of rock. Very awesome production and it should be a treat on an LP. Great debut that comes highly recommended.



Label: Transubstans Records
Year of Release: 2008

 
Discuss (7 posts)
Graveyard - s/t
Aug 31 2008 23:59:42
This thread discusses the Content article: Graveyard - s/t

Woot!
Sounds like something I could get into, seeing that Witchcraft scored pretty well for me.
#6351
Re:Graveyard - s/t
Sep 01 2008 00:52:18
Sounds very, very cool.
#6353
Re:Graveyard - s/t
Sep 01 2008 01:04:58
I'll hook you guys up soon.
#6354
Re:Graveyard - s/t
Sep 30 2008 11:17:44
This didn't work for me at all. That's the problem with bands that are too rooted in music of a previous area (and I'm looking at you as well, thrash revivalists). There's too much of an attempt to sound exactly like their influences and absolutely nothing original brought to the table.

I think we are at an interesting crossroads in terms of a lot of the rock/metal of the sort the guys on this board listen to (I'm automatically excluding laughably awful shit like The Killers etc) You either have homages to the past done with varying degrees of competence (The Sword, Evile, Graveyard, Antarctic Abyss) or bands that are desperately trying to be 'experimental' by meshing several influences into the same song (Yakuza, Galexia, Between the buried and me etc).

For me, the entire Sabbath-70s hard rock worship is yielding very diminishing returns. Of around 10 albums I check out in the course of the year, i'll like only maybe around 4 and actually want to own only around 2. The problem with something like Graveyard (and Sheavy last year) is it makes me wary of checking out other stuff in the genre because I find it so overwhelmingly dull, it casts a pall on the entire genre as it were.
#6966
Re:Graveyard - s/t
Oct 05 2008 02:55:44
But isn't it good having the atavists around when you know for a fact that there are others trying different shit all the time? My personal take is if a band wants to ape their influences to a t, they should go for it. Unless a band is really interested in breaking away and forming their own sound, the end result (if they try something 'different') is mostly always going to be watered down. Still haven't heard this particular album, so I don't have a stand on that yet.
#7009
Re:Graveyard - s/t
Oct 05 2008 10:04:43
Hm yeah, but it also depends on what they bring to the genre. Too few bands doing the entire Sab worship gig are not even TRYING to be interesting.

For instance Oasis were unapologetic latter day Beatles clones and some of their songs - silly lyrics notwithstanding - did sound a fair deal like the latter day Beatles without giving you a sense of entire riffs/melodies being clumsily copy-pasted. I am essentially trying to contrast bands with a very strong 70s influence - The Hidden Hand for instance, to ones that I consider soulless clones - Sheavy and Graveyard.
#7011
Re:Graveyard - s/t
Oct 05 2008 10:19:47
Heh, Graveyard doesn't even have much Sabbath in them. Totally different approach to songwriting.
#7012

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